Surprisingly few artists know where their royalties actually come from. What slips through the cracks often isn’t income itself but understanding it. By 2026, money from songs splits across borders, systems, and apps like never before. Some musicians miss out - not due to lack of rights, but because tracking slips through cracks. Awareness matters. So does signing up correctly. Trusting others? That often backfires.

What happens when a song gets played? Money moves behind the scenes. Every time someone streams, downloads, or hears music on TV, fees go out. These are royalties. Not all payments come from one place. Streaming platforms pay different amounts than radio stations. Live venues toss money into performance funds too. Artists do not get every type automatically. Some need registration with collection agencies; others demand direct deals. Missing paperwork means missing income.

The Foundation: The Two Main Rights in Music

One copyright covers how the music is written. What matters next? The way a recording captures that composition. These separate rights shape everything about royalty payments.

1. Composition Copyright Covers the songwriting (lyrics & melody). 2. Sound Recording Copyright What you hear is the original recording - the master track itself.

A single royalty fits into one of these copyright types - or maybe even both.

The 13 Royalties You Should Be Collecting

1. Mechanical Royalties (Composition)

Generated by: Streaming platforms, digital downloads, physical sales.
Who collects them: Songwriters and Publishers.
Note: Most creators think payments come in automatically across countries - reality usually differs. Getting listed right with groups that handle mechanical rights matters a lot.

2. Performance Royalties (Composition)

Generated by: Radio, TV, live venues, streaming services, public spaces.
Who collects them: Performing Rights Organizations (PROs).
Split: Between Songwriters and Publishers.

3. Sound Recording Royalties (Digital Platforms)

Generated by: Non-interactive digital radio, internet radio services.
Paid to: Recording artists and Master rights owners.
Note: Not generated by old-style FM or AM broadcasts.

4. Streaming Royalties (Master Rights)

Generated by: Spotify, Apple Music, Amazon Music, YouTube Music.
Who collects them: A music company or an independent distributor.

5. Download Royalties (Master Rights)

Generated by: Online stores, direct-to-fan platforms.
Note: These tend to be worth more per item compared to streaming but need careful tracking.

6. Physical Sales Royalties

Generated by: Vinyl, CDs, Cassettes.
Note: Even today, physical copies bring in real money where tastes are specific or shows happen on the road.

7. Sync Licensing Fees

Generated by: Film, TV, video games, advertising, online content.
Paid to: Songwriters (composition) and Master owners (sound recording).

8. Sync Performance Royalties

Generated by: TV broadcasts, streaming platforms, international airplay.
Note: Some creators take the upfront payment yet miss out on later earnings when songs play publicly.

9. Neighboring Rights (International Sound Recording)

Generated by: Radio, TV, public venues (outside the U.S.).
Note: Owners of the original recording see payments under these conditions. Not every location follows this rule.

10. Print Music Royalties

Generated by: Sheet music, songbooks, educational publications.
Note: Not always noticed, yet matters to those who teach music or write it.

11. YouTube Content ID Royalties

Generated by: Your songs appearing in videos made by others.
Note: Filings come via Content ID tools, but only if turned on correctly.

12. Live Performance Royalties

Generated by: Concerts, festivals, tours.
Note: Some musicians skip sharing their song lists after shows, so they miss out on owed payments.

13. International Royalties

Generated by: International streams, broadcasts, physical sales.
Note: Money goes missing when there is no worldwide tracking system in place.

Why Artists Miss Out on Royalties

Research consistently shows artists lose income due to:

Incorrect metadata
Missing registrations
Assuming distributors collect everything
Failing to update credits

Maximizing Collection in 2026

Register early: Get your works in the system before the release date.

Consistency is key: Keep metadata identical across all platforms.

Audit regularly: Check your royalty statements for gaps.

Understand ownership: Know your splits and who is responsible for each right.

Final Thoughts: Music royalties bring steady pay over time. Music creators earning every royalty due often see higher income - not because they produce more, but because they capture value from what’s already made.

The Foundation: The Two Main Rights in Music

One copyright covers how the music is written. What matters next? The way a recording captures that composition. These separate rights shape everything about royalty payments.

1. Composition Copyright Covers the songwriting (lyrics & melody). 2. Sound Recording Copyright What you hear is the original recording - the master track itself.

A single royalty fits into one of these copyright types - or maybe even both.