AGADU (Asociación General de Autores del Uruguay)
AGADU is Uruguay's collective management organization for authors, composers, and publishers. Founded in 1929 and based in Montevideo, it is a CISAC member that licenses public use of musical, theatrical, and literary works and distributes royalties to its members and affiliated international rightsholders.
Contact & HQ
Headquarters
Canelones 1122, Montevideo, Uruguay
Territories
- Uruguay
Royalty Rates
No royalty rate information available.
Affiliated Societies
- CISAC
AGADU (Asociación General de Autores del Uruguay) is a non-profit collective management organization that protects the moral and economic rights of authors, composers, and publishers in Uruguay. Founded on September 26, 1929 in Montevideo, AGADU licenses the public use of musical, theatrical, literary, and visual works and distributes royalties to its members and to affiliated foreign societies through reciprocal agreements.
How AGADU Works
AGADU issues blanket licenses to businesses that use music publicly in Uruguay, including radio stations, television broadcasters, streaming platforms, live concert venues, restaurants, hotels, and retail stores. License fees are collected and distributed to members based on usage data from performance logs, broadcast reports, and venue monitoring.
The organization represents authors and composers across all genres. Its membership includes writers of music, theater, literature, and visual arts. AGADU is a member of CISAC (the International Confederation of Societies of Authors and Composers) since 1933, which gives it reciprocal collection rights with over 100 sister societies worldwide. This means AGADU collects royalties for foreign works performed in Uruguay, and foreign societies collect for Uruguayan works performed abroad.
In Uruguay, AGADU operates alongside three other authorized societies: SUDEI (Sociedad Uruguaya de Artistas e Intérpretes) for performers, CUD (Cámara Uruguaya del Disco) for phonogram producers, and ANDEBU (Asociación Nacional de Broadcasters del Uruguay) for broadcasters. AGADU specifically handles the rights of authors and composers.
The first work registered with AGADU was the tango "Puro cuento" by Alberto Alonso and F. Ruiz Paris, registered the day after the organization's founding on September 27, 1929. Uruguay's Copyright Law was subsequently enacted in 1937.
Real-World Example
A Uruguayan composer writes 40 songs over a 10-year career. Several of those songs receive regular airplay on Montevideo radio stations, and one becomes a hit that is covered by artists in Argentina and Brazil. AGADU collects performance royalties from all licensed radio stations, television networks, and venues in Uruguay where those songs are played.
Through its CISAC membership, AGADU also receives royalties from SADAIC (Argentina) and ECAD (Brazil) when those songs are performed in those countries. The composer receives a single distribution from AGADU that includes both domestic collections and international remittances.
AGADU's first major royalty collection took place in 1930 at a benefit concert at Teatro Artigas in Montevideo, featuring the duo Gardel-Razzano. The event raised 1,100 pesos for the newly formed society, demonstrating the basic mechanism of live performance royalty collection that AGADU still practices today.
Why It Matters for Independent Artists
If you are a Uruguayan songwriter, composer, or author, AGADU membership is the only way to collect performance royalties for your works within Uruguay. Without AGADU, you have no mechanism to receive payment when your music is played on Uruguayan radio, television, or in public venues.
For independent artists, AGADU offers a practical path to international royalty collection. When your music is performed in other countries, AGADU's CISAC membership means those foreign societies collect on your behalf and remit to AGADU for distribution to you. This covers over 100 countries without requiring you to join multiple societies.
If you are a foreign artist whose music is performed in Uruguay, your home PRO collects from AGADU through reciprocal agreements. Ensure your works are registered with your home PRO so they can claim from AGADU.
Related Resources
- Performing Rights Organizations (PRO) - What a PRO is and how it functions
- Performance Royalties - How performance royalties are generated and collected
- Blanket License - The licensing model used by AGADU and other PROs
- Collective Management Organization (CMO) - How CMOs operate globally
- Copyright - The legal framework behind royalty collection
- AGADU Official Website - Visit AGADU for membership and licensing information
- Use our Streaming Royalty Calculator to estimate your digital earnings
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