A good EPK is your music's resume. A bad one is a folder nobody wants to open. Here is exactly what goes in an EPK, what format to use, and a complete checklist to get it right.
Your social media is rented land. Your website is where you collect rent. Here is every page, section, and element your artist website needs in 2026 to convert visitors into fans and buyers.
A Pitchfork 8.0 used to make careers. In 2026, a glowing review in a niche blog with 5,000 loyal readers can do more for your booking rate than a major outlet mention nobody sees.
Journalists are people, not coverage vending machines. The artists who get covered repeatedly are the ones who make the journalist's job easier over time. Here is how to build those relationships.
A good interview is not about answering questions. It is about giving the journalist five quotes they can actually use. Here is how to get the interview and make the most of it.
A music pitch is not a request. It is a short story that makes the journalist say they can see the headline now. Here are the templates, structures, and tactics that actually get responses.
A Pitchfork review is not your first step. Here is how to get real blog coverage as an independent artist, build a realistic target list, and use smaller wins to reach bigger outlets.
A 45-minute podcast episode gives you more trust than 45 minutes of TikTok ever could. Here is how to find the right shows, pitch yourself, and make the most of every appearance.
Journalists open 1 in 20 emails. Your press release has 10 seconds to earn a read. Here is the exact structure, the right timing, and a fill-in-the-blank template to use on your next release.
Most artist bios put the reader to sleep before the first song plays. Here is how to write a bio that makes a journalist, booker, or fan want to hit play, with three templates you can use today.
A soft launch is not a failed launch. It is a quiet one. Some songs need to find their audience before the audience can find them. Here is what a music soft launch actually is and when to use it.
No streams, no email list, no social proof. Here is how to build a real music fanbase from scratch in 2026, starting with 100 true fans and a 90-day action plan.
You don't need a $50,000 budget to make a music video that gets watched. Here's how independent artists plan, shoot, and edit videos that actually perform online.
Convert MIDI files to professional sheet music notation with VexFlow.
Create stunning promo videos for your music. Pick a background, add your song, overlay artwork and captions, and download a ready-to-share clip.
Spin to discover a random music genre from over 200 options. Each genre includes a description and a one-click link to explore top artists and songs in that genre. Free, no API calls required.
BMG Production Music is the production music division of BMG Rights Management, offering over 200,000 curated tracks for sync licensing across film, television, trailers, advertising, and gaming. Now unified under the SYNC+ brand launched in 2026.
Immediate Music is a Santa Monica-based trailer music company founded in 1993 by Yoav Goren and Jeffrey Fayman. Acquired by BMG Rights Management in September 2017, it now operates as BMG Production Music. The company pioneered the concept of creating original music specifically for movie trailers. Its catalog of approximately 4,500 unique compositions (20,000+ including alternate versions) has been used in trailers for Avatar, Harry Potter, Pirates of the Caribbean, The Lord of the Rings, Marvel Cinematic Universe films, and The Matrix franchise.
Position Music is an independent music publishing, record label, and artist management company founded in 1999 in Los Angeles by Tyler Bacon. Specializes in sync licensing for trailers, film, TV, video games, and advertising. Operates five departments: Synchronization and Licensing, A&R, Administration, Label Services, and Artist Management. Places music across thousands of ad campaigns, trailers, and productions.