Slipstream

United StatesFounded 2020
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Slipstream is the largest independent music licensing platform with over 1 million songs and 300,000 sound effects. Acquired Anthem Entertainment's production music businesses in 2024 and Megatrax in March 2026. Serves brands, agencies, and creators with subscription-based enterprise coverage for broadcast, digital ads, and content production.

Contact & HQ

Headquarters

New York, New York, United States

+1-800-778-7879

Specializations

  • Film
  • TV
  • Advertising
  • YouTube
  • Social Media
  • Broadcast
  • Enterprise
  • AI Integration

Additional Details

Genres

All genres - 1 million+ track catalog

Submission Process

Open platform for artists and labels. Creators and teams sign up directly. Enterprise clients book a demo for custom plans.

Typical Fee Structure

Subscription tiers for creators and teams. Enterprise plans with custom pricing include global rights, broadcast coverage, and indemnification.

Notable Clients

  • Riot Games
  • McCann Worldwide
  • Conde Nast
  • Kroger
  • Jingle Punks
  • 5 Alarm Music
  • Cavendish Music

Slipstream is a music licensing platform that provides brands, agencies, and content teams with access to over 1 million songs and 300,000 sound effects from more than 1,000 artists. Founded in 2020 and headquartered in New York, the company has raised $10.8 million across three funding rounds, including a $7.5 million Series A in 2022. Sony Music is among its investors.

Following its October 2024 acquisition of Anthem Entertainment's production music businesses (Jingle Punks, 5 Alarm Music, and Cavendish Music), Slipstream became the largest independent music licensing platform in the world. In March 2026, Slipstream acquired Hollywood-based production music library Megatrax, adding over 200,000 tracks and expanding the catalog past 1 million. Megatrax continues operating independently as it integrates into Slipstream's platform. The acquisition also expanded Slipstream's presence in Latin America, where Megatrax generates a significant share of its revenue.

How Slipstream Works

Slipstream operates as a subscription-based licensing platform designed for where content teams actually work. The platform offers three main tiers:

  1. Creator plan: For individual creators publishing on personal social channels and YouTube. Includes access to the full catalog with unlimited downloads for personal and non-commercial projects.
  2. Teams plan: For production companies, agencies, and freelance teams creating commercial content. Covers client work, paid social, and digital advertising across multiple channels.
  3. Enterprise plan: For brands and organizations with broadcast, global, or large-scale distribution needs. Includes comprehensive licensing coverage for broadcast television, feature films, digital ads, websites, and client videos worldwide. Enterprise clients also get dedicated account support, personalized music curation, and unlimited usage.

Slipstream integrates directly into creative workflows. The platform supports AI agent integration for teams using AI-powered creative tools, API connections for developers, and single sign-on (SSO) for enterprise teams. This means music search and licensing can happen inside the tools content teams already use rather than through a separate browser tab.

The catalog includes music from Slipstream's original roster plus the acquired production music libraries. Labels and artists on the platform include Noise Candy Music, Eazy, Soundlad, JOYRIDE, Insomniac Records, HYMN, LAVL, 5 Alarm, NEFFEX, Cavendish, WotNot Music, Out/Standard, and All Sorts Music.

Real-World Example

A digital advertising agency produces 30 social media ads per month for a consumer brand. They subscribe to Slipstream's Teams plan and download tracks for each ad. Instead of negotiating individual sync licenses at $200 to $2,000 per placement, they pay a flat monthly or annual subscription fee.

For a national broadcast campaign, the same agency upgrades to the Enterprise plan. This covers broadcast television placements, global digital distribution, and indemnification. A single national TV commercial using a Slipstream track would be fully covered under the enterprise subscription, with no per-placement fees and no separate master use license negotiations.

Slipstream's case studies demonstrate real client usage. Riot Games used Slipstream music for sonic storytelling in digital entertainment content. McCann Worldwide placed Latin-pop tracks in a major advertising campaign. Conde Nast used the platform across its publishing brands. Kroger licensed music for grocery sector marketing.

Use our sync licensing fee calculator to compare subscription costs against traditional per-placement licensing.

Why It Matters for Independent Artists

Slipstream gives independent artists and labels a platform to get their music in front of brands, agencies, and production teams that have real budgets. The platform's enterprise client base includes major agencies and brands that need music at scale, which means more placement opportunities for catalog owners.

For artists considering Slipstream:

  • The platform accepts music from both independent artists and established labels
  • Tracks must be fully cleared with no uncleared samples or ambiguous ownership
  • Having instrumental versions and stems available increases placement chances
  • Metadata must be complete: songwriter credits, publisher info, ISRC codes, and contact details
  • Artists should understand the difference between exclusive and non-exclusive deals before signing

The acquisition of Jingle Punks, 5 Alarm Music, and Cavendish Music means Slipstream now controls over 650,000 additional tracks from established production music libraries. This gives artists on the platform exposure to a combined catalog that reaches more supervisors and creative teams than any single library could. Learn more about how production libraries work in our guide to library music and production music.

Artists should also understand how subscription-based platforms compensate creators compared to traditional sync deals. In a subscription model, revenue is typically pooled and distributed based on usage rather than negotiated per-placement. Read our guide to music licensing agreements to understand what terms to look for.

Related Resources

Company Type and Licensing Model

Slipstream is a subscription-based music licensing platform designed for where content teams actually work. It is not a traditional production music library, a music publisher, or a per-use needledrop service. The platform operates on a subscription model with tiered pricing.

Subscription Tiers

  1. Creator plan: For individual creators publishing on personal social channels and YouTube. Includes access to the full catalog with unlimited downloads for personal and non-commercial projects. A 7-day free trial is available with no commitment.
  2. Teams plan: For production companies, agencies, and freelance teams creating commercial content. Covers client work, paid social, and digital advertising across multiple channels.
  3. Enterprise plan: For brands and organizations with broadcast, global, or large-scale distribution needs. Includes comprehensive licensing coverage for broadcast television, feature films, digital ads, websites, and client videos worldwide. Enterprise clients get dedicated account support, personalized music curation, and unlimited usage. Enterprise plans support unlimited YouTube channels.

All plans cover use across major social and digital platforms including YouTube, TikTok, Instagram, Facebook, Twitch, podcasts, and Snapchat. One subscription covers all major platforms with no per-use or per-video fees.

What Is Not Allowed

Slipstream licenses are for content creators who use music as a soundtrack for video or audio content. The platform does not permit:

  • Distributing Slipstream music to DSPs (Spotify, Apple Music) as your own recordings
  • Creating new songs for distribution by sampling or remixing catalog tracks
  • YouTube radio or music-only channels whose primary purpose is music re-uploading
  • Any use where the music is the product being sold (such as compilation albums)

Catalog Size and Genre Coverage

Slipstream's catalog exceeds 1 million songs and 300,000 sound effects from more than 1,000 independent artists. The catalog includes music from Slipstream's original roster plus acquired production music libraries:

  • Original roster: Noise Candy Music, Eazy, Soundlad, JOYRIDE, Insomniac Records, HYMN, LAVL, NEFFEX, WotNot Music, Out/Standard, and All Sorts Music
  • Anthem Entertainment acquisition (2024): Jingle Punks, 5 Alarm Music, and Cavendish Music (650,000+ tracks combined)
  • Megatrax acquisition (March 2026): Over 200,000 tracks by composers, songwriters, and musicians for film, TV, and advertising. Founded in 1991, Megatrax brings decades of catalog history and strong Latin American market presence.

Genre coverage spans all categories. The platform includes everything from T-Pain to Grimes among its artist roster. The combined catalog reaches more supervisors and creative teams than any single traditional library.

Client Base

Slipstream serves clients across the content creation spectrum:

  • Brands and enterprises: Riot Games (sonic storytelling in digital entertainment), Kroger (grocery sector marketing), Conde Nast (publishing brands)
  • Advertising agencies: McCann Worldwide (Latin-pop tracks in major advertising campaigns)
  • Production music companies: Jingle Punks, 5 Alarm Music, Cavendish Music (now part of Slipstream's portfolio)
  • YouTube creators and social media influencers: Individual creators using the Creator plan
  • Production companies and freelance teams: Using the Teams plan for commercial content

Slipstream integrates directly into creative workflows. The platform supports AI agent integration, API connections for developers, and single sign-on (SSO) for enterprise teams. It also integrates with Adobe Creative Suite, Canva, and other content creation tools.

When a creator authenticates their YouTube channel in Slipstream, it is automatically added to Slipstream's Content ID allowlist. This means any Slipstream tracks used in videos are cleared automatically. Claims are typically resolved within 24 hours through Orfium, which manages Slipstream's Content ID.

How Slipstream Pays Artists

Slipstream uses a pooled revenue distribution model for subscription-based usage:

  • Usage-based payouts: Revenue from subscriptions is pooled and distributed based on how often each artist's tracks are downloaded and used. Artists whose music gets more placements earn more from the pool.
  • No per-placement fees: Unlike traditional sync deals where each placement generates a specific fee, subscription revenue is distributed proportionally.
  • Non-exclusive and exclusive options: Artists can choose between exclusive and non-exclusive deals. Exclusive deals typically offer higher payout percentages.
  • No upfront fees for most artists: Slipstream does not charge artists to join the platform. The company profits from subscription revenue and shares it with catalog owners.
  • Requirements for submission: Tracks must be fully cleared with no uncleared samples. Complete metadata is required (songwriter credits, publisher info, ISRC codes). Instrumental versions and stems increase placement chances.

Comparison: Slipstream vs Other Sync Licensing Companies

FeatureSlipstreamBMG Production MusicUniversal Production MusicEpidemic Sound
Company typeSubscription licensing platformProduction music libraryProduction music librarySubscription licensing platform
Catalog size1 million+ tracks200,000+ tracks240,000+ tracks40,000+ tracks
Licensing modelSubscription tiersPer-use, blanket, customPer-use, blanket, customSubscription only
Open submissionsYes (open platform)Yes (website form)No (publisher representation)Yes (open platform)
Content ID protectionYes (Orfium allowlist)NoNoYes
Enterprise/broadcastYes (Enterprise plan)Yes (blanket licenses)Yes (blanket licenses)Limited
API integrationYesNoNoNo
Parent companyIndependent (Sony Music investor)BertelsmannUniversal Music GroupIndependent

Videos

The One-Hour Song Challenge - Part I by Slipstream
How to Make a Profit from Licensing Your Music: A Conversation with Nismah Osman

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