Nettwerk Music Group

Canada • VancouverFounded 1984
Visit Website

Nettwerk Music Group is a Vancouver-based independent music company founded in 1984 that operates a record label, publishing division, artist management, and a dedicated sync licensing department called Nettwerk One. The company represents artists like Sarah McLachlan, Passenger, Paris Paloma, and SYML for sync placements across film, television, trailers, advertising, and video games. In 2026, Create Music Group invested over $300 million to support a management buyout led by CEO Terry McBride.

Share

Contact & HQ

Headquarters

Vancouver, British Columbia

Specializations

  • Sync Licensing
  • Music Publishing
  • Artist Management
  • Record Label
  • Film
  • TV
  • Trailers
  • Advertising
  • Video Games

Additional Details

Genres

PopRockIndieAlternativeElectronicSinger-SongwriterFolk

Submission Process

Nettwerk primarily licenses music from its own roster and represented labels. Independent artists can be considered through label signing or publishing deals. The sync team also evaluates external catalog representation deals. Contact the sync department through the Nettwerk website.

Typical Fee Structure

Negotiated sync fees with standard label and publishing splits. Revenue shares vary by agreement. No upfront submission fees.

Notable Clients

  • Sarah McLachlan
  • Passenger
  • Paris Paloma
  • SYML
  • Vacations
  • Barenaked Ladies (historical)
  • Coldplay (historical)
  • Lowe's
  • Major streaming platforms
  • Film studios
  • Advertising agencies

Nettwerk Music Group is a Vancouver-based independent music company founded in 1984 that operates a record label, music publishing division, artist management arm, and a dedicated sync licensing department known as Nettwerk One. The company represents a roster of artists including Sarah McLachlan, Passenger, Paris Paloma, SYML, and Vacations for sync placements across film, television, trailers, advertising, and video games. With 167 employees operating across 13 countries, Nettwerk is one of Canada's largest independent music companies. In 2026, Create Music Group invested over $300 million to support a management buyout led by CEO Terry McBride, who retained approximately 80% ownership.

How Nettwerk One Sync Works

Nettwerk's sync division (Nettwerk One) operates as an in-house licensing and pitching team with directors based in the United States, United Kingdom/Europe, and Canada. The team pitches Nettwerk's frontline roster and represented catalog to music supervisors, trailer houses, advertising agencies, and game developers.

The sync department provides several services:

  1. Catalog pitching: The team actively pitches Nettwerk artists' music to music supervisors for film, television, trailer, and advertising placements. This is relationship-driven pitching, not passive catalog browsing.
  2. Sync camps: Nettwerk organizes writing sessions and sync camps where artists and writers create bespoke music tailored to supervisor briefs. This increases placement opportunities and generates custom cuts.
  3. Clearance and licensing: When a supervisor selects a track, Nettwerk's sync team handles negotiations, approvals, licensing, invoicing, and collection.
  4. External catalog representation: Nettwerk also represents music from other independent labels and catalogs for sync purposes, expanding the available catalog beyond its own roster.
  5. Micro-licensing: The company has a dedicated Director of Sync and Microlicensing who handles high-volume, lower-value licensing for digital platforms and content creators.

The sync team includes specialized roles: a SVP of Global Synch Licensing who manages the worldwide team, Directors of Sync for North America and UK/Europe, and a Director of Film and TV who focuses on pitching and clearing placements.

Real-World Example

A music supervisor needs an emotional indie folk track for a climactic scene in a streaming drama series. They contact Nettwerk's Director of Film and TV, who sends five tracks from the Nettwerk roster that fit the brief. The supervisor selects a SYML track.

Nettwerk negotiates a license for all media (excluding theatrical), in-context promos, videogram buyout, worldwide, and in perpetuity. The fee is $4,000. Because Nettwerk controls both the master and publishing for the track, the clearance is one-stop. The artist receives their negotiated share of the sync fee plus performance royalties from their PRO when the episode airs on broadcast television.

For a recent advertising placement, Nettwerk provided a backing track for Lowe's "There's No Place Like Lowe's" cinematic campaign, with music supervision by Premier Music Group and remix work by Heavy Duty and Baxter House Music.

Key Benefits

  • Full-service integration: Nettwerk controls label, publishing, and management for many of its artists, enabling one-stop clearance. Music supervisors can license a track in a single transaction without chasing multiple rights holders.
  • Global sync team: With sync directors in North America, UK, and Europe, Nettwerk covers the three largest sync markets with local relationships and market knowledge.
  • Bespoke sync camps: The team organizes writing sessions to create custom music for specific briefs, increasing placement rates and generating unique cuts that supervisors cannot find elsewhere.
  • Strong roster: Artists like Passenger, Paris Paloma, and SYML have proven sync track records across film, TV, and advertising.
  • Create Music Group backing: The $300 million investment from Create Music Group in 2026 provides access to additional capital, technology, and global infrastructure.
  • No submission fees: Artists signed to Nettwerk do not pay upfront fees for sync representation. The company earns through placement commissions and label/publishing splits.

Potential Drawbacks and Things to Consider

  • Primarily in-house roster: Nettwerk's sync department primarily pitches its own signed artists and represented catalogs. Independent artists not signed to Nettwerk cannot simply submit tracks for sync consideration. You need a label or publishing deal with Nettwerk first.
  • Label deal required for full benefit: The sync pipeline works best when Nettwerk controls both master and publishing rights. If you are only signed to a publishing deal, the sync team can pitch your songs but may need to coordinate with your label for master use clearance.
  • Competitive signing: Nettwerk is selective about which artists and catalogs it signs. The company has 167 employees and a focused roster, meaning most independent artists will not be offered a deal.
  • Create Music Group transition: The 2026 management buyout with Create Music Group backing is a major corporate transition. While CEO Terry McBride retains 80% ownership and operational control, artists should monitor how the partnership affects sync operations over time.
  • Not a volume platform: Unlike stock music libraries that accept thousands of tracks, Nettwerk focuses on a curated roster. This is better for artists who get signed but closes the door to most independent submitters.
  • Revenue splits vary: Because Nettwerk operates as both label and publisher, the revenue splits on sync fees depend on your specific deal structure. Review your contract carefully. Use our sync licensing fee calculator to understand market rates.

Related Resources