Universal Music Publishing Sync (UMPG)
Universal Music Publishing Group (UMPG) is the music publishing division of Universal Music Group and one of the largest music publishers in the world. Its sync licensing division places songwriter catalogs across film, television, advertising, video games, and trailers. Represents a vast roster of songwriters and producers across all genres. Does not accept unsolicited submissions.
Contact & HQ
Headquarters
Los Angeles, California, United States
Specializations
- Film
- TV
- Advertising
- Video Games
- Trailers
- Streaming
- Music Publishing
- Administration
Additional Details
Genres
Submission Process
No open submission portal. UMPG signs songwriters and producers through its A&R department and through catalog acquisitions. Writers must be discovered by A&R reps or connected through industry relationships. The company also grows its catalog through publishing acquisitions of existing catalogs.
Typical Fee Structure
Traditional publishing and sync licensing model. Sync fees vary widely by usage type: advertising placements can reach six figures, film and TV placements range from $5,000 to $50,000+, and trailer placements depend on campaign scope. Writers receive sync fees and publishing royalties per their individual agreements. No subscription or per-track pricing.
Notable Clients
- Major film studios
- TV networks
- Global advertising agencies
- Streaming platforms
- Video game publishers
- Trailer houses
Universal Music Publishing Group (UMPG) is the music publishing arm of Universal Music Group, representing one of the largest songwriter and catalog rosters in the world. Its sync licensing division places music across film, television, advertising, video games, trailers, and streaming media. UMPG is best suited for established songwriters and producers who have a proven track record or an existing catalog with commercial sync potential.
How UMPG Sync Works
UMPG is not a production music library or self-service platform. It is a full-service music publisher that administers copyrights, pitches catalogs to music supervisors, and negotiates sync licenses on behalf of its signed writers. The company operates creative sync offices in Los Angeles, New York, London, and Nashville, each focused on their respective markets.
The sync division works proactively. UMPG's creative team maintains relationships with music supervisors at studios, networks, ad agencies, and gaming companies. They pitch specific catalogs against incoming briefs, arrange custom writes when a supervisor needs something original, and negotiate fees and terms on behalf of their writers.
UMPG also administers catalogs it does not own. Through administration deals, the company collects royalties and pitches catalogs globally in exchange for an administration percentage. This means the sync division has access to a massive pool of music spanning decades and genres, from classic rock catalogs to contemporary pop and hip-hop.
Real-World Example
A pop songwriter signed to UMPG has a catalog of 40 songs across three albums. A music supervisor at a streaming platform needs a specific track for a scene in a scripted series. UMPG's sync team negotiates a $15,000 sync fee for the use, clears both the publishing and master sides (if the master is also controlled by a Universal label), and ensures the writer receives their share per their publishing agreement.
For an advertising placement, the same songwriter's track might generate $75,000 to $150,000 in sync fees for a national campaign. UMPG handles all clearance, negotiation, and paperwork. The writer receives their negotiated percentage of the sync fee plus backend PRO royalties when the ad airs on television.
Use our sync licensing fee calculator to estimate potential sync fees across different media types.
Why It Matters for Independent Artists
UMPG is not an entry point for independent artists. The company signs writers who already have commercial releases, streaming traction, or established industry relationships. For independent artists, understanding UMPG matters for three reasons:
- It sets the ceiling for publishing deals: UMPG represents the top tier of music publishing. If your goal is a major publishing deal, you need to build a catalog and audience that attracts A&R attention. Focus on streaming numbers, co-writes with established writers, and placements with mid-tier sync libraries first.
- Administration deals are a stepping stone: UMPG administers catalogs it does not own. If you build a valuable catalog, an administration deal with a major publisher like UMPG can provide global royalty collection and sync pitching without transferring ownership. These deals typically require a minimum catalog size and revenue threshold.
- Custom writes require relationships: Music supervisors often ask publishers for custom original music. UMPG's sync team assigns these briefs to signed writers. To access these opportunities, you need to be on the roster.
If you are seeking your first sync placement, start with platforms that accept open submissions. Read our guide on how to get your first sync license and our comparison of sync licensing companies vs music libraries to understand where your music fits.
Platform Features
- Global creative sync offices: Los Angeles, New York, London, and Nashville
- Proactive pitching: Dedicated sync teams targeting film, TV, advertising, gaming, and trailers
- Catalog administration: Manages royalties and pitching for owned and administered catalogs
- Custom write capabilities: Assigns signed writers to create original music for specific briefs
- Cross-label clearance: When master rights are also with a Universal label, UMPG can clear both sides in one deal
- Acquisition strategy: Grows catalog through strategic publishing acquisitions of songwriter catalogs and independent publishers
Potential Drawbacks / Things to Consider
- No open submissions: UMPG does not accept unsolicited music. You cannot upload tracks or email demos for consideration.
- Publishing deals transfer rights: Signing a publishing deal with UMPG typically involves transferring ownership or administration of your compositions. Read the deal terms carefully. Learn more in our guide to music licensing agreements.
- Exclusivity is standard: UMPG deals are exclusive. You cannot pitch the same compositions to other publishers or libraries while under contract.
- Revenue splits vary: Sync fees and royalties are split per your individual agreement. Standard splits range from 50/50 to 75/25 in the writer's favor, depending on your leverage and catalog value. Negotiate before signing.
- Slow decision-making: As a large corporate publisher, UMPG's A&R and sync teams process many catalogs. Response times can be slow compared to independent libraries.
Related Resources
- Sync Licensing Companies Directory - Browse more sync licensing companies
- Sync Licensing Fee Calculator - Estimate licensing fees for your projects
- PRO Directory - Find your performing rights organization
- How to Get Your First Sync License - Step-by-step guide for independent artists
- Sync Licensing Companies vs Music Libraries - Understanding the difference
- Visit Universal Music Publishing Group for roster info and company details
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