Chrysalis Music

United Kingdom • LondonFounded 1967
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Chrysalis Music is a British independent music publisher with roots dating to 1967 in west London, founded by Chris Wright and Terry Ellis. The company was sold to BMG Rights Management in 2010 for 107 million pounds and now operates as part of BMG's catalog. Its historical catalog includes works by Jethro Tull, Ten Years After, and Aphex Twin.

Contact & HQ

Headquarters

London, United Kingdom

Specializations

  • Film
  • TV
  • Advertising
  • Music Publishing Administration
  • Sync Licensing

Additional Details

Genres

RockPopElectronicBluesAlternative

Submission Process

Chrysalis Music operates as part of BMG. Sync licensing requests are handled through BMG's sync department. Artists seeking publishing deals should contact BMG directly.

Typical Fee Structure

Sync fees are negotiated per placement through BMG's global sync team. Traditional publishing deal terms apply for signed writers.

Notable Clients

  • Jethro Tull
  • Ten Years After
  • Aphex Twin
  • Various BMG-administered catalogs

Chrysalis Music is a British music publisher with origins dating to 1967 in west London, founded by Chris Wright and Terry Ellis as the Ellis-Wright Agency. The company was sold to BMG Rights Management in 2010 for 107 million pounds and now operates within BMG's catalog. Its historical catalog includes works by Jethro Tull, Ten Years After, and Aphex Twin. Best suited for music supervisors seeking to license classic British rock and pop catalogs through BMG's sync department.

How Chrysalis Music Works

Chrysalis Music no longer operates as an independent entity. Since the 2010 acquisition by BMG, the Chrysalis catalog is administered through BMG's global sync and publishing infrastructure.

The process works as follows:

  1. Catalog administration: BMG administers the Chrysalis catalog alongside its broader portfolio of over 3 million songs and recordings. This includes royalty collection, copyright management, and sync licensing.
  2. Sync licensing: Music supervisors and creative directors request licenses through BMG's sync department. BMG's global sync team handles negotiations, clearance, and contracting.
  3. One-stop licensing: BMG offers combined publishing and recording rights licensing where both are controlled. This simplifies clearance for clients.
  4. Creative pitching: BMG's sync team actively pitches catalog tracks for film, TV, advertising, and gaming opportunities worldwide.
  5. Sub-publishing network: BMG uses a global sub-publishing network to represent the Chrysalis catalog in territories where BMG does not have direct operations.

Real-World Example

A music supervisor wants to license a Jethro Tull track for a period drama set in the 1970s. They contact BMG's sync department, which controls the Chrysalis catalog. BMG clears both the publishing and master rights if available. The sync fee for a 45-second use in a streaming series runs approximately $10,000 to $30,000 depending on territory, media, and term. BMG issues the license and handles all paperwork. The songwriter receives their performance royalties through their PRO.

Why It Matters for Independent Artists

Chrysalis Music matters as a case study in how independent publishers build value over decades and eventually sell to larger entities. Understanding this trajectory helps artists make informed decisions about publishing deals.

Consider these points:

  • Publishing deal implications: When you sign a publishing deal, your catalog may eventually be sold to another company. The Chrysalis-to-BMG transition shows how ownership changes hands. Read reversion clauses carefully.
  • Catalog value compounds over time: Chrysalis built value over 43 years before selling for 107 million pounds. Long-term catalog ownership is where real wealth accumulates in music publishing.
  • BMG access: If you want to license a track from the Chrysalis catalog, you work through BMG. Understanding this corporate structure saves time when clearing music.
  • Sync through major publishers: BMG's sync team handles Chrysalis placements. This means your music, if signed to BMG, benefits from a global sync operation with dedicated teams in multiple countries.

Drawbacks / Things to Consider

  • No longer independent: Chrysalis Music does not operate as a standalone company. All dealings go through BMG. If you want a relationship with an independent publisher, look elsewhere.
  • No direct submissions: You cannot submit music to "Chrysalis Music" directly. Publishing deals are handled through BMG's A&R process, which is highly selective.
  • Corporate bureaucracy: Licensing through BMG involves working with a large corporate structure. This can mean slower response times compared to boutique agencies.
  • Catalog age: Much of the Chrysalis catalog consists of older works. Sync demand tends to favor current-sounding music. BMG must actively reposition classic tracks for modern placements.
  • Acquisition history: The 2010 sale and subsequent integration into BMG means the original Chrysalis team and culture no longer exist. Do not expect the same company that signed artists in the 1970s and 1980s.

Company Type and Licensing Model

Chrysalis Music is a music publishing catalog, not a production music library or royalty-free platform. Since the 2010 acquisition by BMG Rights Management, the Chrysalis catalog operates as part of BMG's broader publishing and sync licensing infrastructure. In January 2026, BMG merged its sync, production music, and media services teams into a single brand called Sync+, giving clients access to over 3 million songs and recordings plus more than 200,000 production music tracks through one department.

The licensing model is direct negotiation per placement. There is no subscription tier, no per-use catalog pricing, and no self-serve platform. Music supervisors and creative directors contact BMG's sync team to request licenses, and fees are negotiated based on usage type, territory, media, and term. BMG offers one-stop licensing where it controls both publishing and recording rights, which simplifies clearance for clients.

Catalog Size and Genre Coverage

The Chrysalis catalog is part of BMG's portfolio of over 3 million songs and recordings. The Chrysalis-specific catalog includes works by Jethro Tull, Ten Years After, Aphex Twin, and other British rock, pop, electronic, blues, and alternative artists signed between 1967 and 2010. BMG acquired Chrysalis alongside other catalogs including Alberts, Bug Music, Cherry Lane, Talpa Music, and Union Square Music, building a portfolio that spans rock, pop, electronic, blues, alternative, country, hip-hop, and classical genres.

The Chrysalis catalog skews toward classic British rock and pop from the 1960s through the 2000s. Music supervisors seeking period-appropriate tracks for decades-spanning productions will find the most relevant material here. The catalog is not a source for contemporary production music or trending styles.

Client Base

BMG's sync department (now Sync+) serves music supervisors at film studios, television networks, streaming platforms, advertising agencies, and gaming companies. A notable example is the 2014 Toyota Yaris online campaign, where BMG Chrysalis UK licensed a five-track package that was described as the biggest online music sync deal in the UK at the time. Two of the five tracks were controlled for both publishing and recording rights, making them one-stop licenses.

Clients typically include:

  • Music supervisors at major film and TV studios
  • Advertising agencies producing national and global campaigns
  • Streaming platforms and digital media companies
  • Gaming companies seeking licensed music for soundtracks
  • Trailer houses needing recognizable catalog tracks

How They Pay Artists

Chrysalis Music operates under traditional music publishing deal terms administered by BMG. Signed songwriters receive:

  1. Sync fee share: A negotiated percentage of the sync fee for each placement. The exact split depends on the individual publishing agreement, but BMG typically splits sync income with writers.
  2. Performance royalties: Collected through the writer's PRO (ASCAP, BMI, SESAC, or PRS). BMG collects the publisher's share and the writer collects their share directly from their PRO.
  3. Mechanical royalties: Generated when a composition is reproduced on physical media, downloaded, or streamed.
  4. YouTube royalties: BMG classifies YouTube payments as synchronization income (royalty type 44 Video Streaming Sync) in the US market.

BMG provides signed writers with access to the myBMG app, which offers co-writing opportunities, sync approvals, discounts on creator tools, and 24/7 revenue insights. There are no upfront fees paid to writers for signing to the Chrysalis/BMG catalog. Compensation is entirely back-end based on catalog performance and sync placements.

Comparison Table

FeatureChrysalis Music (BMG)Universal Music Publishing SyncWarner Chappell SyncConcord Music Publishing Sync
Catalog sizePart of BMG's 3M+ songsPart of UMPG's massive catalogPart of WMG's publishing catalogLarge independent publisher catalog
OwnershipBMG Rights ManagementUniversal Music GroupWarner Music GroupConcord (independent)
Licensing modelPer-placement negotiationPer-placement negotiationPer-placement negotiationPer-placement negotiation
One-stop licensingAvailable for controlled rightsAvailable for controlled rightsAvailable for controlled rightsAvailable for controlled rights
Genre focusClassic British rock and popBroad across all genresBroad across all genresBroad, includes historical catalogs
Direct submissionsNo (through BMG A&R)No (through UMPG A&R)No (through WCM A&R)No (through Concord A&R)
Best forLicensing classic catalog tracksLicensing major-label hitsLicensing major-label hitsLicensing indie and legacy catalogs

Videos

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