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contracts

How to Write a Music Collaboration Agreement (2026)

How to Write a Music Collaboration Agreement (2026)

Collaborations & NetworkingJun 15, 202612 min read

A handshake is not a business plan. Here is what to put in a music collaboration agreement before you start recording, so nobody fights over ownership when the song does well.

Read More about How to Write a Music Collaboration Agreement (2026)
How to Collab With Vocalists as a Music Producer (2026)

How to Collab With Vocalists as a Music Producer (2026)

ProductionMay 25, 202612 min read

Producer-vocalist collabs can turn a good beat into a hit record. Learn how to find vocalists, structure the deal, share files cleanly, and protect everyone involved before a single stem leaves your hard drive.

Read More about How to Collab With Vocalists as a Music Producer (2026)
How to Protect Your Beats Before Sending Them Out (2026)

How to Protect Your Beats Before Sending Them Out (2026)

ProductionMay 25, 202611 min read

Sending beats without protection is the fastest way to lose ownership of your own work. This guide covers watermarking, copyright registration, written agreements, and what to do when someone uses your beat without permission.

Read More about How to Protect Your Beats Before Sending Them Out (2026)
Beat Leasing vs Exclusive Rights: A Producer's Guide (2026)

Beat Leasing vs Exclusive Rights: A Producer's Guide (2026)

Music ProductionMay 22, 202612 min read

Selling exclusive rights is not the same as selling your copyright. Here is what each model actually means, the financial trade-offs, and how to protect yourself and your buyers.

Read More about Beat Leasing vs Exclusive Rights: A Producer's Guide (2026)
How to Write a Beat License Agreement (Template for 2026)

How to Write a Beat License Agreement (Template for 2026)

Music ProductionMay 22, 202613 min read

A beat license is not fine print. It is the only document that proves you got paid and the artist knows what they can do with your work. Here is what every beat license needs and a real template you can use today.

Read More about How to Write a Beat License Agreement (Template for 2026)
What Is a Hospitality Rider and How to Write One (2026)

What Is a Hospitality Rider and How to Write One (2026)

Live MusicMay 20, 202610 min read

A hospitality rider is not a diva wish list. It is the document that stops your band from showing up to a gig with no parking, no food, and no idea who to call. Here is how to write one that works.

Read More about What Is a Hospitality Rider and How to Write One (2026)
What to Include in a Musician Rider (Simple Template 2026)

What to Include in a Musician Rider (Simple Template 2026)

Live MusicMay 16, 202610 min read

A bad rider makes you look like a diva. A clear rider makes you look like a pro the venue wants to book again. Here is everything to include, with a ready-to-use template.

Read More about What to Include in a Musician Rider (Simple Template 2026)
What Is a Co-Publishing Deal and Is It Worth It?

What Is a Co-Publishing Deal and Is It Worth It?

BusinessMar 5, 202610 min read

A co-publishing deal splits the publisher's share of your songwriting income with a music publisher in exchange for an advance, administration, and creative services. This guide explains how co-pub deals work, what you keep and what you give up, and how to decide if one is right for you.

Read More about What Is a Co-Publishing Deal and Is It Worth It?
How to Read a Music Contract Without a Lawyer

How to Read a Music Contract Without a Lawyer

BusinessMar 3, 202611 min read

You do not need a law degree to understand a music contract. This guide walks through how to read any music agreement, what to look for in each section, which clauses are red flags, and when to stop and get professional help.

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Music Licensing Agreements: Types, Terms, and Red Flags

Music Licensing Agreements: Types, Terms, and Red Flags

BusinessMar 3, 202612 min read

Music licensing agreements determine how your music gets used, for how long, in which territories, and for how much. This guide covers every major license type, the terms that matter most, and the red flags to spot before signing.

Read More about Music Licensing Agreements: Types, Terms, and Red Flags

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Music Contracts 101: What Every Artist Needs to Know Before Signing

Signing a music contract without understanding it can cost you rights, royalties, and years of your career. This guide explains the key contract types, red flags, essential terms, and when you need a lawyer.

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Work for Hire Agreements: What Musicians Need to Know

Work for hire agreements transfer copyright ownership before you even finish the music. This guide explains what work for hire means, when it applies, what you give up, and how to protect yourself before signing.

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What Is a 360 Deal and Should You Ever Sign One?

A 360 deal gives a label a percentage of nearly every dollar you earn, not just record sales. This guide explains what 360 deals cover, why labels push for them, and how to decide whether to sign one.

Related Directories

dig dis!

dig dis! is a German music distributor founded in 2006, focused on labels rather than individual artists. Offers free registration with three different plans available as monthly or yearly subscriptions. Has direct contracts with iTunes, Apple Music, Beatport, Spotify, SoundCloud, YouTube, Amazon, Traxsource, Deezer, Pandora, TikTok, Instagram, Facebook, and more. Provides the free digdis.app for label management with tools for release creation, promotion campaigns, sales analytics, financial statements, real-time chart tracking, revenue splits, and smart links. ISRC codes cost 0.75 EUR each, EAN/UPC codes cost 1.00 EUR each. Gives 365 days of full control. WARNING: charges a 30 EUR fee per release if you leave their service. Best for labels that want a dedicated label-focused distributor with integrated management tools.

e-Muzyka

e-Muzyka is the leading music distributor on the Polish market, based in Warsaw, Poland, founded in 2005. Part of Empik Group with 20 employees. Represents 650+ Polish independent labels and works with all major labels (Universal, Sony, Warner). Distributes to Spotify, YouTube, Tidal, iTunes, TikTok, Facebook, and more. Certified YouTube partner and biggest multi-channel network in Poland with 250+ million monthly views. Offers physical distribution (CDs, DVDs, books), mobile value-added services, marketing campaigns, and Empik store promotional services. Launched emuze.me self-service platform with 85% revenue share, 50+ services, no long-term contracts, and no upfront fees. Best for Polish artists and labels, and anyone targeting the Polish market.

Last Play Distro

Last Play Distro is an India-based music distribution platform founded by Amit Malsar, operating under the laws of India with courts located in Rajasthan. Offers three tiers: Free (60% royalties, 3 releases per month), Artist ($9.99/month, 85% royalties, unlimited releases), and Label ($29.99/month, 95% royalties, 5 artists). Distributes to 150+ platforms. No contracts, no lock-ins, no credit card required to start. Transparent royalty splits with dashboard reporting. Best for artists who want to start free and upgrade as they grow.

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